An Collaboration of the Senses: Royal Ballet Partners with Blind Creator for Pioneering Fresh Show

The Royal Ballet for years offered headphones with spoken commentary so that sightless viewers could track the movement on stage. Presently, through a innovative production, the whole gathering will hear such commentary within a production that investigates how blindness can transform our responses to experience, audio and narrative.

Blind Artist Partners with Famous Choreographers

Devon Healey, a blind professional, is working with renowned choreographer Wayne McGregor, among other choreographers, and composer Max Richter in producing a recent Royal Ballet production that will premiere on 12 November, World Ballet Day, as declared this week.

Within her creative practice, Healey is guided by a ambition to demonstrate how visual impairment and disability can provide an different mode of awareness for everyone. Her “immersive descriptive audio”, woven with the composition, forms the heart of the performance on stage.

"Making top-tier ballet and musical theater for everyone" is a guiding principle of the the organization. Under Kevin O’Hare, the company's leader, the troupe is concentrating on "complete inclusion – welcoming creators and audiences to discover ballet in transformative fresh approaches," he explained.

Various Choreographers Work on New Performance

The recent commission is being designed by choreographer Tiler Peck, Bim Malcomson, and Rebecca Myles Stewart, alongside Wayne McGregor, each partnering with the blind artist.

Robert Binet, the curator of this commission, said: "World Ballet Day was created on the concept of access. Following a decade, we're extending that notion further to consider how challenged outlooks can influence our art form, and welcome patrons of diverse capacities and histories to encounter ballet in new ways."

After collaborating with the artist in Canadian venues and Australian locations, the curator understood that individuals who can see who had heard Healey’s spoken descriptions felt it aided them comprehend dance, which can look so unclear.

Moving Collaboration Between Expert and Non-Professional Dancers

In one duet, the Royal Ballet dancer Leo Dixon will dance with Takashi Kikuchi, an non-professional performer who has been visually impaired from childhood and who had always thought that dance was "primarily for individuals with vision". But the dancer has realized that it truly "includes a lot of feeling and sentiments" and activates faculties, "sight-based and non-sight".

Kikuchi’s personal story of once getting lost on his way home and relying on the sun to orient his way back had motivated a dance piece in which the professional dancer represents the "soothing presence of the sun around his partner as they dance in unison," the choreographer said.

"It was mid-afternoon and I had a feeling that the sunlight should be beaming from the west. So, if I faced the sunlight, even though I couldn't see the rays itself, I could feel the heat … So I continued moving to the western direction …. It directed me home. The sunshine was a good helper to me. The sunlight could be a good representation. So the story developed from there."

Blindness Offers Unique Relationship with Dance

Healey, an academic of disability research at the University of Toronto, said: "Visual impairment and lacking sight fosters a vibrant connection with motion in a way that is comparable to a expert performer's connection with their physical self and dance."

In collaborating with the dancers, the artist was attempting to express what "they’re experiencing in their physical being, something that’s just not available through looking," she said. "I talk with the performers to get a understanding of how they feel in their physical self, where their breath is, what they consider, how their body are feeling.

"Partnering with the dance creators [and] attire, lighting, stage design and sound creators, the perceptions and artistry of visual impairment are constantly visible as we, visually impaired and seeing people, establish a rapport through our affection of motion and dance. It is this artistry and passion that I strive to integrate into the immersive descriptive audio. It is a partnership of the faculties guided by visual impairment."

The artist continued: "Although the sight of the performance, the beautiful display, is there facing the audience, there is much that they’re not accessing or appreciating, and it is blindness that is encouraging seeing and visually impaired viewers alike into the unseen. What I hope is that, when patrons leave, they sense ballet in a new way, and they’re also sensing the existence, and hearing the understandings of, blindness in fresh and dynamic ways."

Musician The Composer on Audio Narration

The composer, whose works have gathered more than 3.5 billion digital listens, stated the audio descriptions established a connection between blindness and vision "via a musical landscape, offering narration to that which does not always appear". He noted: "This isn't simply a description of a performance. It is the performance itself."

International Dance Day Collaborators

The company's worldwide associates for World Ballet Day comprise the National Ballet of Canada and the Australian dance troupe. The organizations will furthermore provide access to backstage material, preparations and recently created productions – transmitted live via online channels.

Monica Elliott
Monica Elliott

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and their impact on society.